By Isabelle Torrance
Accessible introductions to old tragedies. each one quantity discusses
the major subject matters of a play and the valuable advancements in glossy
criticism, whereas additionally addressing the play's historic context and the
history of its functionality and adaptation.
One of our earliest surviving Greek tragedies, Aeschylus' Seven opposed to Thebes
is an awfully wealthy poetic textual content. It dramatises the civil warfare
between the sons of Oedipus ?Polynices, the exile, and Eteocles,
reigning king of Thebes. Polynices marches on Thebes to regain his
throne besides six different champion warriors and their armies, however the
expedition is doomed, and the that means of Oedipus' enigmatic curse on his
sons eventually turns into transparent via their simultaneous fratricide and
the extinction of the Theban house.
This e-book areas the drama
within the context of the attached trilogy of which it used to be an element. It
investigates the play's tensions among urban and family members and the
omnipresence of curse and formality in the non secular and political
environment of 5th century Greece. The drama's specialise in the realm of
male warriors, and its stark competition of the sexes in the course of the lady
Chorus, is analysed by way of warrior ideology in epic and Greek
understanding of applicable behaviour. eventually, it explores the complex
legacy of the play via its impact on Sophocles and Euripides,
and exhibits how the drama's condemnation of civil struggle has been exploited
as an analogue for occasions in sleek history.
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Extra resources for Aeschylus: Seven Against Thebes
At each god’s image the Chorus prostrate themselves and embrace the statue (92-150). This appeal brings an end to their astrophic dochmiacs and is followed by a sharp break in the form of the choral ode, effected through the terrified shrieks of the Chorus and a shift to a strophic lyric pattern. Hera is invoked in this first of two strophic pairs (at 152), along with other deities already mentioned, but it is tempting to suppose that, given the significance of the number seven in this play (discussed in more detail below), there were seven statues on display, representing each of the seven gods who receive a physical appeal.
This is a particularly strong oath statement. The only alternatives are victory or death, evidence of a grim warrior force representing a dangerous threat to the safety of the polis. 17 The oath ritual itself will be discussed further in Chapter 3, but we should note here an interesting parallel in classical Greek literature. This is the oath reportedly sworn by the Spartans during the first Messenian War, where they swear not to return home until they have either sacked Messene or died in the attempt (Ephorus fr.
They have taken an oath either to sack and destroy the polis or to die and mix their blood with the land (46-8). This is a particularly strong oath statement. The only alternatives are victory or death, evidence of a grim warrior force representing a dangerous threat to the safety of the polis. 17 The oath ritual itself will be discussed further in Chapter 3, but we should note here an interesting parallel in classical Greek literature. This is the oath reportedly sworn by the Spartans during the first Messenian War, where they swear not to return home until they have either sacked Messene or died in the attempt (Ephorus fr.
Aeschylus: Seven Against Thebes by Isabelle Torrance