By Mady Schutzman, Jan Cohen-Cruz
This rigorously developed and thorough number of theoretical engagements with Augusto Boal’s paintings is the 1st to appear ’beyond Boal’ and significantly assesses the Theatre of the Opressed (TO) circulation in context. A Boal better half seems to be on the cultural practices which tell TO and discover them inside of a bigger body of cultural politics and function conception. The individuals positioned TO into discussion with complexity theory – Merleau-Ponty, Emmanuel Levinas, race idea, feminist functionality artwork, Deleuze and Guattari, and liberation psychology – to call quite a few, and in doing so, the kinship among Boal’s venture and a number of fields of social psychology, ethics, biology, comedy, trauma stories and political technological know-how is made noticeable. the guidelines generated all through A Boal spouse will: extend readers' knowing of TO as a fancy, interdisciplinary, multivocal physique of philosophical discourses offer a number of lenses during which to perform and critique TO make particular the connection among TO and different our bodies of labor. This assortment is perfect for TO practitioners and students who are looking to extend their wisdom, however it additionally presents strange readers and new scholars to the self-discipline with a superb research source.
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Additional info for A Boal Companion: Dialogues on Theatre and Cultural Politics
As Horkheimer puts it, “Art, since it became autonomous, has preserved the utopia that evaporated from religion” (cited in Jay, 1996: 179). This art became the antidote to the mind-numbing realities of twentieth-century technology, cultural conformism, and modern warfare. Reitz argues that the concept of alienation proposed by Marcuse, and evident in Freire’s “pedagogy of the oppressed,” marks a departure from Marx’s theory of alienation as a condition caused by economic exploitation and the fetishism of commodities.
L. McBride. London: Pluto. Franco, J. (2002) The Decline and Fall of the Lettered City: Latin America in the Cold War. Cambridge, MA: Harvard University Press. S. (2000) Flash and Crash Days: Brazilian theater in the post-dictatorship period. New York: Garland Publishing. 32 Randy Martin Gladhart, A. (2000) The Leper in Blue: Coercive performance and the contemporary Latin American theater. Chapel Hill, NC: University of North Carolina Press. Joseph, M. (2002) Against the Romance of Community. Minneapolis, MN: University of Minnesota Press.
L. McBride. New York: Theatre Communications Group. —— (2000) Hamlet e o Filho do Padeiro: Memórias imaginadas. Rio de Janeiro/São Paulo: Editora Record. —— (2001) Hamlet and the Baker’s Son: My life in theatre and politics, trans. A. Jackson and C. Blaker. London and New York: Routledge. C. (1996) A Hora do Teatro Épico no Brasil. São Paulo: Editora Paz e Terra. H. (1996) Cultural Space and Theatrical Conventions in the Works of Oduvaldo Vianna Filho. Detroit, MI: Wayne State University Press.
A Boal Companion: Dialogues on Theatre and Cultural Politics by Mady Schutzman, Jan Cohen-Cruz